Although the word 'blackamoor' is a rather controversial term, the exquisite collection of African royal-like figures are elegant important representations to preserve. Over time, 'blackamoor' began to be used to describe a darker-skinned African of Moorish heritage that resided in the ancient Iberian Peninsula cities such as Mauretania & Al-Andalus. During the early Modern Period (c.1450s-1800s), stunning blackamoor cameos were created during the Renaissance Era. The remarkable portraits often incorporated jewelry onto the African figure, which is referred to as a cameo habille. There are several examples of blackamoor cameos from different periods, including 19th century Victorian Era antiques. Their high quality craftmanship complements the overall allure of the figures. Who were these models? Were they commissioned gifts? Little is known of many blackamoor cameos, including the artisans that created such magnificent works. Many of the cameo habilles are portraits of aristocrat-like Africans with detailed bejeweled accents. When dating cameos, it is important to know that many were often re-mounted or reset in later centuries. Periods such as the Victorian Era were often inspired by ancient antiquities and Renaissance styles, and it was common for 19th century cameos to resemble designs from previous ages.
Historically, blackamoor cameos are significant antiques to preserve and collect. Many are housed in national art museums throughout Europe and a part of prized private collections. The growing interest in blackamoor cameos and other African antiques has allowed for incredible exposure to the artworks. Throughout history, the image of the African during the trans-Atlantic slave trade has been associated with pain, trauma, and bondage. It is refreshing to see poised and elegant images of Africans compared to the emphasized stereotypical depictions that are common. The cameos are often intricately embellished with multiple gemstones, many of which include bejeweled crowns on their heads.
Historically, antique cameo designs have been synonymous with Greek and Roman styles. However, some of the first cameos were Egyptian stone engravings for the recording of sentimental events. When collecting cameos, it is common to curate mythological figures such as the Greek Muses and scenic carvings of Roman chariot races. The portrait of an African royal figure engraved in a cameo is not as common as other designs and is still surrounded in mystery. While some Blackamoor cameos are based on mythological figures, many were likely created from real-life models. The intricate details, superb quality, and historical significance of Blackamoor cameos are important to preserve. In my non-fiction historical book 'Hidden Legacies: African Presence in European Antiques, I dedicate a chapter to Blackamoor cameos and their overlooked magnificence.
Throughout history, the portraits of royal Blackamoor figures have been overlooked and shunned from receiving critical acclaim. They each tell an important story that is significant to both European and African history. It is important to not only acknowledge these collectibles, but to also include them in educational history references as well.
Learn more insight on historical Blackamoor cameos and their significance in 'Hidden Legacies: African Presence in European Antiques' by Tanzy Ward.